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Anne Frank pictured in May 1942
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Anne Frank
A Compilation from Research into the Life, Times and
Death of Ann Frank
This is the story of a young girl named Annelies
Marie "Anne" Frank who was born on 12 June 1929 in Frankfurt, Germany. She was the second daughter of Otto
Frank (1889–1980) and Edith Frank-Holländer (1900–45). Margot Frank (1926–45) was her elder
sister.
The Frank family were liberal Jews and lived in
an assimilated community of Jewish and non-Jewish citizens where the children grew up with a variety of faiths,
Catholic, Protestant, and Jewish friends. The Frank family did not observe all of the customs and traditions of
Judaism. Edith Frank was the more devout parent, while Otto Frank—a decorated German officer from World War I whose
family had established banks in Germany and France. The Frank family encouraged interest in scholarly pursuits
and had an extensive library and both parents encouraged the children to read and this is what is believed to
be the basis of Anne Frank's love of writing and the skills she developed.
Anne Frank kept a diary and
this diary became a book based on the events recorded by Anne Frank while she was in hiding for two
years with her family during the Nazi occupation of the Netherlands. The family was apprehended in 1944 and Anne
Frank ultimately died of typhus in the Bergen-Belsen concentration camp but fter the war, the diary was retrieved
from Miep Gies by Anne's father, Otto Frank.
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Het Achterhuis
(1947), cover of the first edition of Anne Frank's diary later translated as The Diary of a Young
Girl
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Miep Gies had helped to hide the
family from the Nazis during the occupation og Holland and kept the diaries from the days they were
arrested.
First published under the title Het Achterhuis:
Dagboekbrieven van 12 Juni 1942 – 1 Augustus 1944 (The Annex: diary notes from 12 June 1942 – 1 August 1944) by
Contact Publishing in Amsterdam in 1947, it received widespread critical and popular attention on the appearance of
its English language translation Anne Frank: The Diary of a Young Girl by Doubleday & Company (United States)
and Valentine Mitchell (United Kingdom) in 1952.
Its popularity inspired the 1955 play The
Diary of Anne Frank by the screenwriters Frances Goodrich and Albert Hackett, which they subsequently
adapted for the screen for the 1959 movie version. The book is in several lists of the top books of the twentieth
century.
Anne Frank began to keep a diary on her thirteenth
birthday, June 12, 1942, three weeks prior to going into hiding with her mother Edith Frank, father Otto Frank,
sister Margot Frank and four other people, Hermann van Pels, Auguste van Pels, Peter van Pels, and Fritz Pfeffer,
in the sealed-off upper rooms of the annex of her father's office building in Amsterdam.
In the published version, names were changed: the van
Pels are known as the van Daans and Fritz Pfeffer is known as Mr. Dussel. With the assistance of a group of Otto
Frank's trusted colleagues, they remained hidden for two years and one month, until their betrayal in August 1944,
which resulted in their deportation to Nazi concentration camps. Of the group of eight, only Otto Frank survived
the war. Anne died in Bergen-Belsen from a typhus infection in early March about two weeks before liberation by
British troops in April 1945.
In manuscript, Anne's original diaries are written
over three extant volumes. The first covers the period between 12 June 1942 and 5 December 1942. Since the second
volume begins on 22 December 1943 and ends on 17 April 1944, it is assumed that the original volume or volumes
between December 1942 and December 1943 were lost - presumably after the arrest when the hiding place was emptied
on Nazi instructions. However, this missing period is covered in the version Anne rewrote for preservation. The
third existing notebook contains entries from 17 April 1944 to 1 August 1944, when Anne wrote for the last time
before her arrest.
In the original notebook her diary entries follow a
standard for the first three months until 28 September 1942 when she began addressing her entries to characters
from Cissy van Marxveldt's Joop ter Heul novels. In van Marxveldt's books the headstrong Joop also keeps a diary
and writes to her group of friends about her calamities and loves. Anne adopted the group and addressed her diary
entries to Joop's friends "Kitty", "Conny", "Emmy", "Pop", and "Marianne" until November of that year, when the
first notebook ends. By the time she started the second existing volume, there was only one imaginary friend she
was writing to: Kitty, and in her later re-writes, Anne changed the address of all the diary entries to
"Kitty".
There has been much said about the identity or
inspiration of Kitty who, in Anne's revised manuscript, is the sole recipient of her letters. In 1986 the critic
Sietse van der Hoek wrote that the name referred to Kitty Egyedi, a prewar friend of Frank's. Van der Hoek may have
been informed by the 1970 publication A Tribute to Anne Frank, prepared by the Anne Frank
Foundation, which assumed a factual basis for the character in its preface by the then chairman of the
Foundation, Henri van Praag, and accentuated this with the inclusion of a group photograph that singles out
Anne,
Theodor Holman wrote in reply to Sietse van der Hoek
that the diary entry for 28 September 1942 proved conclusively the character's fictional origin. Jacqueline van
Maarsen agreed but Otto Frank assumed his daughter had her real acquaintance in mind when she wrote to someone of
the same name. However, Kitty Egyedi said in an interview that she was flattered by the assumption but doubted the
diary was addressed to her:
In the re-written introduction of her diary for one
person, Anne had expressed the desire to have a 'truest friend', that is, a person to whom she could confide,
her deepest thoughts and feelings. She observed that she had many "friends" and equally many admirers, but (by her
own definition) no true, dear friend with whom she could share her innermost thoughts. She originally thought her
girlfriend Jacque van Maarsen would be this person, but that was only partially successful. In an early diary
passage, she remarks that she is not in love with Helmut "Hello" Silberberg, her suitor at that time, but
considered that he might become a true friend.
In hiding, she invested much time and effort into her
budding romance with Peter van Pels, thinking he might evolve into that one, true friend, but that was eventually a
disappointment to her in some ways, also, though she still cared for him very much. Ultimately, the closest friend
Anne had during her tragically short life was her diary, "Kitty", for it was only to "Kitty" that she entrusted her
innermost thoughts.
Anne Frank's already budding
literary ambitions were galvanized on 29 March 1944 when she heard a broadcast made by the exiled Dutch Minister
for Education, Art and Science, Gerrit Bolkestein, calling for the preservation of "ordinary documents—a diary,
letters ... simple everyday material" to create an archive for posterity as testimony to the suffering of civilians
during the Nazi occupation, and on 20 May notes that she has started re-drafting her diary with future readers in
mind.
She expanded entries and standardized them by
addressing all of them to Kitty, clarified situations, prepared a list of pseudonyms and cut scenes she thought of
little interest or too intimate for general consumption. This manuscript, written on loose sheets of paper, was
retrieved from the hiding place after the arrest and given to Otto Frank with the original notebooks when his
daughter's death was confirmed in the autumn of 1945. Miep Gies and Bep Voskuijl had rescued them along with other
personal possessions after the family's arrest and before their rooms were ransacked by the Dutch police and the
Gestapo.
When Otto Frank eventually began to read his
daughter's diary, he was astonished. He said to Miep Gies, "I never knew my little Anne was so deep". He also
remarked that the clarity with which Anne had described many everyday situations brought those since-forgotten
moments back to him vividly.
The first transcription of Anne's diary
was made by Otto Frank for his relatives in Switzerland. The second, a composition of Anne Frank's rewritten draft,
excerpts from her essays, and scenes from her original diaries, became the first draft submitted for publication,
with an epilogue written by a family friend explaining the fate of its author. In the spring of 1946 it came to the
attention of Dr. Jan Romein, a Dutch historian, who was so moved by it that he immediately wrote an article for the
newspaper Het Parool:
“This apparently inconsequential diary by a child, this "de
profundis" stammered out in a child's voice, embodies all the hideousness of fascism, more so than all the evidence
of Nuremberg put together." Jan Romein
This caught the interest of Contact Publishing in
Amsterdam, who approached Otto Frank to submit a draft of the manuscript for their consideration. They offered to
publish but advised Otto Frank that Anne's candor about her emerging sexuality might offend certain conservative
quarters ( a view in those days) and suggested cuts. Further entries were deleted before the book was published on
25 June 1947. It sold well; the 3000 copies of the first edition were soon sold out, and in 1950 a sixth edition
was published.
At the end of 1950, a translator was found to produce
an English-language version. Barbara Mooyaart-Doubleday was contracted by Vallentine, Mitchell & Co. in England
and by the end of the following year her translation was submitted, now including the deleted passages at Otto
Frank's request and the book appeared in America and Great Britain 1952, introducing as a new
bestseller.
Translations into German, Italian, Spanish, Russian,
Japanese, and Greek followed. The play based on the diary won the Pulitzer Prize for 1955, and the subsequent movie
earned Shelley Winters an Academy Award for her performance, whereupon Winters donated her Oscar to the Anne Frank
House in Amsterdam.
Anne Frank's story has become
symbolic of the scale of Nazi atrocities during the war, a stark exemplar of Jewish suffering under Adolf Hitler,
and a dire warning of the consequences of racism and persecution. However, claims that Anne Frank’s diary was
fabricated are a common element of Holocaust denial.
Holocaust deniers such as Robert Faurisson have
claimed that the diary is a forgery though critical and forensic studies of the text and the original manuscript
have demonstrated its authenticity. Simon Wiesenthal researched the arrest of the Frank family and in 1963 located
Karl Silberbauer, the officer who arrested the Frank family. Silberbauer supported the diary's version of events as
accurate and said that during the arrest he saw Anne Frank's diaries and manuscripts as he emptied them from a
briefcase used to remove items stolen from the prisoners.
Otto Frank had stated that prior to the book's
publication he cut many passages from the original manuscript that he thought would be of little interest to the
general reader and that he had assigned pseudonyms to protect the identities of those Anne Frank had mentioned by
name. Some, such as David Irving, have suggested this was evidence that the published version was not an accurate
transcription of the manuscripts, and even that the work had been written wholly or partly by Otto Frank or one of
his associates.
In his will, Otto Frank bequeathed his daughter's
original manuscripts to the Netherlands Institute for War Documentation. After Frank's death in 1980, the Institute
commissioned a forensic study of the manuscripts. The material composition of the original notebooks as well as the
ink and handwriting found within them and the loose version were extensively examined. In 1986 the results were
published.
The handwriting was found to be consistent with known
examples of Anne Frank's handwriting. The paper, ink and glue found in the diaries and loose papers were consistent
with materials available in Amsterdam during the period in which the diary was written.
The survey of her manuscripts compared an unabridged
transcription of Anne Frank's original notebooks with the entries she expanded and clarified on loose paper in a
rewritten form and the final edit as it was prepared for the U.S publication. The investigation revealed that all
of the entries in the published version were accurate transcriptions of manuscript entries in Anne Frank's
handwriting, and that they represented approximately a third of the material collected for the initial
publication.
The magnitude of edits to the text is comparable to
other historical diaries such as those by Katherine Mansfield, Virginia Woolf and Anaïs Nin in that they all
revised their diaries after the initial draft, and the material was posthumously edited into a publishable
manuscript by their respective husbands.
Let's put in into Plot
format.
The year is 1939 the year she realizes her world is
beginning to change around her. Eventually the Nazis invade the Netherlands. Anne gets increasingly distressed as
her rights are taken away, as well as her family ominously being forced to register as Jews with the government and
to wear yellow stars.
She is then forced to leave her school and attend a
Jewish Lyceum, where she meets her new best friend, Jacqueline van Maarsen, who is only half-Jewish. She also meets
Hello Silberberg, on whom she develops a crush. On her 13th birthday, she receives the famous checkered-patterned
diary and she immediately goes to her room to write her first entry.
A few weeks later, on a normal Sunday in July 1942,
Margot, Anne's sister, receives a call-up from the Germans to be deported to a "labor camp" in the East. Otto Frank
moves his family into the now-renowned "Secret Annex", followed soon by the van Pels and their son Peter, and Fritz
Pfeffer, the Frank family's dentist.
During their stay in the annex, the Van Pels family
are noted for their constant bickering, Fritz becomes Anne's antagonist, and Anne has her first serious
relationship with Peter, and receives her first kiss from him. All the while she wishes for an end to the war. Anne
also gets her first period while in the annex - an occasion she'd been waiting anxiously for. One night a thief
breaks into the building below the annex, leaving the eight refugees in terror.
Eventually, on August 4, 1944, the Franks are
betrayed by the cleaning lady, Lena Hartog, of the business in which the annex resides. The eight people in hiding
are arrested and Anne's diary is dumped onto the floor while the Germans search for money. Two of the helpers (of
those in the Secret Annex) are also arrested. Otto reveals his history as a German veteran of World War
I.
Afterwards, the Franks are sent on a train to
Westerbork, a transit camp, where Anne and her family and friends are held in the criminal "S Barracks". There,
Anne meets a woman named Janny Brandes and her sister Lientje, who are later seen with Anne in Bergen-Belsen. Anne
and her family are soon transported to Auschwitz, where the women are stripped of their clothing and their hair is
shorn.
Anne Frank is separated from her father and the
other men. During a selection for women in the camp to go to a safer place to work in a munitions factory, Anne's
mother and sister are chosen, but Anne is not. Therefore, Edith and Margot choose to remain behind. Anne and Margot
are sent to a scabies barracks and later deported to Bergen-Belsen, which is no more than many large tents on a
muddy ground surrounded by an electric fence.
Mrs. van Pels eventually arrives at the camp to find
Anne very thin and Margot sick with typhus. One night Anne sees her old friend, Hannah, through the fence. Hannah
is a privileged prisoner and tells Anne that her father is dying but her sister is alive. She throws a package with
bread and socks over to Anne.
In the last scene with Anne, Margot and Anne talk
about past times, but Margot then falls out of bed and dies of shock. Anne, whose will to live is finally gone,
looks up into the sky, defeated.
After the war in 1945, it is revealed that Otto is,
in fact, alive. He looks for information about his daughters, but has no luck in doing so until he is directed to
find Janny Brandes who survived the camp. Otto is told that Anne died a few days after Margot. Miep, who helped the
Franks to hide, gives Anne's preserved diary to Otto. Otto reads it all. He then goes up to the now empty annex and
collapses in a crying heap in front of "Anne's wall", still plastered with movie star photos. The film ends as it
tells what happened to everyone mentioned in the story.
Historical
inaccuracies
- Otto tells Miep and Edith that his sister begged
him to send the children to live in London with her. It was actually his cousin Milly who asked for Margot and
Anne to be sent to London, not his sister, Leni, who lived in Switzerland.
- When the Gestapo enter Miep's office, she is
standing up and is searched and later is seen peering from the office window when the families from the Secret
Annexe board the truck after being discovered. In reality, she was sitting in her chair and was told to stay
seated, and that was why she never saw Anne and her family leave the building.
- Both Janny and Lientje have the same last name
of Brandes which was Janny's married last name, while Lientje's married last name was Rebling. If the film had
them using the same last name, they should have been called by their maiden name of Brilleslijper.
- When Anne and her parents walk to the Secret
Annexe from their house it isn't raining when it is clearly mentioned by Anne in her diary that it was. The
rain was a source of relief for the three as it meant that there would be fewer German soldiers out in the
street at the time.
- Otto Frank seemed to read Anne's diary all at
once. In actuality he refused to read it at first and when he did he read it over a span of several days.
- The movie depicts the Frank family packing their
suitecases to move to the hiding place. In the Diary of Anne Frank she said they did not pack suitecases to
avoid arousing suspicion. Instead they wore multi-layers of clothing when they moved.
Back in Time
On 13 March 1933, elections were held in Frankfurt
for the municipal council, and Adolf Hitler's Nazi Party won. Antisemitic demonstrations occurred almost
immediately, and the Franks began to fear what would happen to them if they remained in Germany. Later that year,
Edith and the children went to Aachen, where they stayed with Edith's mother, Rosa Holländer. Otto Frank remained
in Frankfurt, but after receiving an offer to start a company in Amsterdam, he moved there to organise the business
and to arrange accommodation for his family. The Franks were among about 300,000 Jews who fled Germany between 1933
and 1939.
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A four story, brick
apartment block showing the building's facade, with several windows and an internal staircase
leading into the block. The apartment block on the Merwedeplein
where the Frank family lived from 1934 until 1942
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Otto Frank began working at the Opekta Works, a
company that sold the fruit extract pectin, and found an apartment on the Merwedeplein (Merwede Square) in
Amsterdam. By February 1934, Edith and the children had arrived in Amsterdam, and the two girls were enrolled in
school—Margot in public school and Anne in a Montessori school.
Margot demonstrated ability in arithmetic, and Anne
showed aptitude for reading and writing. Her friend Hanneli Goslar later recalled that from early childhood, Anne
frequently wrote, though she shielded her work with her hands and refused to discuss the content of her writing.
Margot and Anne had highly distinct personalities, Margot being well-mannered, reserved, and studious, while Anne
was outspoken, energetic, and extroverted.
In 1938, Otto Frank started a second company
Pectacon, which was a wholesaler of herbs, pickling salts and mixed spices, used in the production of sausages.
Hermann van Pels was employed by Pectacon as an advisor about spices. He was a Jewish butcher, who had fled
Osnabrück in Germany with his family. In 1939, Edith's mother came to live with the Franks, and remained with
them until her death in January 1942.
In May 1940, Germany invaded the Netherlands, and the
occupation government began to persecute Jews by the implementation of restrictive and discriminatory laws;
mandatory registration and segregation soon followed. Margot and Anne were excelling in their studies and had many
friends, but with the introduction of a decree that Jewish children could attend only Jewish schools, they were
enrolled at the Jewish Lyceum. In April 1941, Otto Frank took action to prevent Pectacon from being confiscated as
a Jewish-owned business.
He transferred his shares in Pectacon to
Johannes Kleiman, and resigned as director. The company was liquidated and all assets transferred to Gies and
Company, headed by Jan Gies. In December 1941, he followed a similar process to save Opekta. The businesses
continued with little obvious change and their survival allowed Otto Frank to earn a minimal income, but sufficient
to provide for his family.
For her thirteenth birthday on 12 June 1942, Anne received a book she had shown her father in a shop window a few
days earlier. Although it was an autograph book, bound with red-and-green plaid cloth and with a small lock on the
front, Anne decided she would use it as a diary, and began writing in it almost immediately. While many of her
early entries relate the mundane aspects of her life, she also discusses some of the changes that had taken place
in the Netherlands since the German occupation.
In her entry dated 20 June 1942, she lists many of
the restrictions that had been placed upon the lives of the Dutch Jewish population, and also notes her sorrow at
the death of her grandmother earlier in the year. Anne dreamed about becoming an actress. She loved watching
movies, but the Dutch Jews were forbidden access to movie theaters from 8 January 1941 onwards.
In July 1942, Margot Frank received a call-up notice
from the Zentralstelle für jüdische Auswanderung (Central Office for Jewish Emigration) ordering her to report for
relocation to a work camp. Anne was told by her father that the family would go into hiding in rooms above and
behind the company's premises on the Prinsengracht, a street along one of Amsterdam's canals, where some of Otto
Frank's most trusted employees would help them. The call-up notice forced them to relocate several weeks earlier
than had been anticipated.
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A three shelf
timber bookcase, filled with books, stands at an angle in front of a doorway to the Secret
Annexe
Reconstruction of the bookcase that covered the entrance to the Secret
Annexe, in the Anne Frank House in Amsterdam
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On the morning of Monday, 6 July 1942, the family
moved into the hiding place. Their apartment was left in a state of disarray to create the impression that they had
left suddenly, and Otto Frank left a note that hinted they were going to Switzerland. The need for secrecy forced
them to leave behind Anne's cat, Moortje. As Jews were not allowed to use public transport, they walked several
kilometers from their home, with each of them wearing several layers of clothing as they did not dare to be seen
carrying luggage.
The Achterhuis (a Dutch word denoting the rear part
of a house, translated as the "Secret Annexe" in English editions of the diary) was a three-story space entered
from a landing above the Opekta offices. Two small rooms, with an adjoining bathroom and toilet, were on the first
level, and above that a larger open room, with a small room beside it. From this smaller room, a ladder led to the
attic.
The door to the Achterhuis was later covered by a
bookcase to ensure it remained undiscovered. The main building, situated a block from the Westerkerk, was
nondescript, old and typical of buildings in the western quarters of Amsterdam.
Victor Kugler, Johannes Kleiman, Miep Gies, and Bep
Voskuijl were the only employees who knew of the people in hiding, and with Gies's husband Jan Gies and Voskuijl's
father Johannes Hendrik Voskuijl, were their "helpers" for the duration of their confinement. These contacts
provided the only connection between the outside world and the occupants of the house, and they kept the occupants
informed of war news and political developments.
They catered for all of their needs, ensured their
safety and supplied them with food, a task that grew more difficult with the passage of time. Anne wrote of their
dedication and of their efforts to boost morale within the household during the most dangerous of times. All were
aware that if caught they could face the death penalty for sheltering Jews.
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A photograph taken
from the opposite side of the canal shows two four story buildings which housed the Opekta offices
and behind them,
the Secret Annexe. The house (left) at the Prinsengracht in
Amsterdam
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On 13 July, the Franks were joined by the van Pels
family: Hermann, Auguste, and 16-year-old Peter, and then in November by Fritz Pfeffer, a dentist and friend of the
family. Anne Franks wrote of her pleasure at having new people to talk to, but tensions quickly developed within
the group forced to live in such confined conditions. After sharing her room with Pfeffer, she found him to be
insufferable and resented his intrusion, and she clashed with Auguste van Pels, whom she regarded as
foolish.
She regarded Hermann van Pels and Fritz Pfeffer as
selfish, particularly in regards to the amount of food they consumed. Some time later, after first dismissing the
shy and awkward Peter van Pels, she recognised a kinship with him and the two entered a romance. She received her
first kiss from him, but her infatuation with him began to wane as she questioned whether her feelings for him were
genuine, or resulted from their shared confinement.
Anne Frank formed a close bond with each of the
helpers and Otto Frank later recalled that she had anticipated their daily visits with impatient enthusiasm. He
observed that Anne's closest friendship was with Bep Voskuijl, "the young typist... the two of them often stood
whispering in the corner."
In her writing, Anne Frank examined her relationships
with the members of her family, and the strong differences in each of their personalities. She considered herself
to be closest emotionally to her father, who later commented, "I got on better with Anne than with Margot, who was
more attached to her mother. The reason for that may have been that Margot rarely showed her feelings and didn't
need as much support because she didn't suffer from mood swings as much as Anne did."
Anne and Margot formed a closer relationship than had
existed before they went into hiding, although Anne sometimes expressed jealousy towards Margot, particularly when
members of the household criticised Anne for lacking Margot's gentle and placid nature. As Anne began to mature,
the sisters were able to confide in each other. In her entry of 12 January 1944, Anne wrote, "Margot's much
nicer... She's not nearly so catty these days and is becoming a real friend. She no longer thinks of me as a little
baby who doesn't count."
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Taken from the top
of the Westerkerk church, this image shows the Prinsengracht canal and the rooftops of the
buildings in the neighborhood
The Secret Annexe with its light-coloured walls and orange roof
(bottom) and the Anne Frank tree in the garden behind the house (bottom right), seen from the
Westerkerk in 2004
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Anne frequently wrote of her difficult relationship
with her mother, and of her ambivalence towards her. On 7 November 1942 she described her "contempt" for her mother
and her inability to "confront her with her carelessness, her sarcasm and her hard-heartedness," before concluding,
"She's not a mother to me."[29] Later, as she revised her diary, Anne felt ashamed of her harsh attitude, writing:
"Anne is it really you who mentioned hate, oh Anne, how could you?" She came to understand that their differences
resulted from misunderstandings that were as much her fault as her mother's, and saw that she had added
unnecessarily to her mother's suffering. With this realization, Anne began to treat her mother with a degree of
tolerance and respect.
Margot and Anne each hoped to return to school as
soon as they were able, and continued with their studies while in hiding. Margot took a shorthand course by
correspondence in Bep Voskuijl's name and received high marks. Most of Anne's time was spent reading and studying,
and she regularly wrote and edited her diary entries. In addition to providing a narrative of events as they
occurred, she wrote about her feelings, beliefs and ambitions, subjects she felt she could not discuss with anyone.
As her confidence in her writing grew, and as she began to mature, she wrote of more abstract subjects such as her
belief in God, and how she defined human nature.
Anne aspired to become a journalist, writing in her
diary on Wednesday, 5 April 1944:
“ I finally realized that I must do my schoolwork to keep from being ignorant,
to get on in life, to become a journalist, because that’s what I want! I know I can write ..., but it remains to be
seen whether I really have talent ...
And if I don’t have the talent to write books or
newspaper articles, I can always write for myself. But I want to achieve more than that. I can’t imagine living
like Mother, Mrs. van Daan and all the women who go about their work and are then forgotten. I need to have
something besides a husband and children to devote myself to! ... I want to be useful or bring enjoyment to all
people, even those I’ve never met.
I want to go on living even after my death! And
that’s why I’m so grateful to God for having given me this gift, which I can use to develop myself and to express
all that’s inside me! When I write I can shake off all my cares. My sorrow disappears, my spirits are revived! But,
and that’s a big question, will I ever be able to write something great, will I ever become a journalist or a
writer?
On the morning of 4 August 1944, the Achterhuis was
stormed by the German Security Police (Grüne Polizei) following a tip-off from an informer who was never
identified. Led by Schutzstaffel Oberscharführer Karl Silberbauer of the Sicherheitsdienst, the group included at
least three members of the Security Police.
The Franks, van Pelses and Pfeffer were taken to the
Gestapo headquarters where they were interrogated and held overnight. On 5 August, they were transferred to the
Huis van Bewaring (House of Detention), an overcrowded prison on the Weteringschans. Two days later they were
transported to Westerbork. Ostensibly a transit camp, by this time more than 100,000 Jews had passed through it.
Having been arrested in hiding, they were considered criminals and were sent to the Punishment Barracks for hard
labor.
Victor Kugler and Johannes Kleiman were arrested and
jailed at the penal camp for enemies of the regime at Amersfoort. Kleiman was released after seven weeks, but
Kugler was held in various work camps until the war's end. Miep Gies and Bep Voskuijl were questioned and
threatened by the Security Police but were not detained.
They returned to the Achterhuis the following day,
and found Anne's papers strewn on the floor. They collected them, as well as several family photograph albums, and
Gies resolved to return them to Otto after the war. On 7 August 1944, Gies attempted to facilitate the release of
the prisoners by confronting Silberbauer and offering him money to intervene, but he refused.
Deportation and death
On September 3, the group was deported on what would
be the last transport from Westerbork to the Auschwitz concentration camp, and arrived after a three-day journey.
In the chaos that marked the unloading of the trains, the men were forcibly separated from the women and children,
and Otto Frank was wrenched from his family. Of the 1,019 passengers, 549—including all children younger than
fifteen—were sent directly to the gas chambers.
Anne had turned fifteen three months earlier and was
one of the youngest people to be spared from her transport. She was soon made aware that most people were gassed
upon arrival, and never learned that the entire group from the Achterhuis had survived this selection. She reasoned
that her father, in his mid-fifties and not particularly robust, had been killed immediately after they were
separated.
With the other females not selected for immediate
death, Anne was forced to strip naked to be disinfected, had her head shaved and was tattooed with an identifying
number on her arm. By day, the women were used as slave labor and Anne was forced to haul rocks and dig rolls of
sod; by night, they were crammed into overcrowded barracks. Witnesses later testified that Anne became withdrawn
and tearful when she saw children being led to the gas chambers, though other witnesses reported that more often
she displayed strength and courage, and that her gregarious and confident nature allowed her to obtain extra bread
rations for Edith, Margot and herself.
Disease was rampant and before long, Anne's skin
became badly infected by scabies. She and Margot were moved into an infirmary, which was in a state of constant
darkness, and infested with rats and mice. Edith Frank stopped eating, saving every morsel of food for her
daughters and passing her rations to them, through a hole she made at the bottom of the infirmary
wall.
A Memorial for Margot and Anne Frank shows a Star of David and the full names and
birthdates and year of death of each of the sisters, in white lettering on a large black stone. The stone sits
alone in a grassy field, and the ground beneath the stone is covered with floral tributes and photographs of Anne
Frank
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Memorial for Margot and Anne Frank at the former
Bergen-Belsen site, along with floral and pictorial tributes
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On 28 October, selections began for women to be
relocated to Bergen-Belsen. More than 8,000 women, including Anne and Margot Frank and Auguste van Pels, were
transported, but Edith Frank was left behind and later died from starvation.
Tents were erected at Bergen-Belsen to accommodate
the influx of prisoners, and as the population rose, the death toll due to disease increased rapidly. Anne was
briefly reunited with two friends, Hanneli Goslar and Nanette Blitz, who were confined in another section of the
camp. Goslar and Blitz both survived the war and later discussed the brief conversations that they had conducted
with Anne through a fence.
Blitz described her as bald, emaciated and shivering
and Goslar noted that Auguste van Pels was with Anne and Margot Frank, and was caring for Margot, who was severely
ill. Neither of them saw Margot as she was too weak to leave her bunk. Anne told both Blitz and Goslar that she
believed her parents were dead, and for that reason did not wish to live any longer. Goslar later estimated that
their meetings had taken place in late January or early February, 1945.
In March 1945, a typhus epidemic spread through the
camp and killed approximately 17,000 prisoners. Witnesses later testified that Margot fell from her bunk in her
weakened state and was killed by the shock, and that a few days later Anne died. They stated that this occurred a
few weeks before the camp was liberated by British troops on 15 April 1945, although the exact dates were not
recorded. After liberation, the camp was burned in an effort to prevent further spread of disease, and Anne
and Margot were buried in a mass grave, the exact whereabouts of which is unknown.
After the war, it was estimated that of the 107,000
Jews deported from the Netherlands between 1942 and 1944, only 5,000 survived. It was also estimated that up to
30,000 Jews remained in the Netherlands, with many people aided by the Dutch underground. Approximately two-thirds
of this group of people survived the war.
Otto Frank survived his internment in Auschwitz.
After the war ended, he returned to the place where he had been sheltered by Jan and Miep Gies in Amsterdam
and attempted to locate his family. He learned of the death of his wife, Edith, in Auschwitz, but he remained
hopeful that his daughters had survived. After several weeks, he discovered that Margot and Anne had also died. He
attempted to determine the fates of his daughters' friends, and learned that many had been
murdered.
Susanne Ledermann, often mentioned in Anne's diary,
had been gassed along with her parents, though her sister, Barbara, a close friend of Margot, had survived. Several
of the Frank sisters' school friends had survived, as had the extended families of both Otto and Edith Frank, as
they had fled Germany during the mid 1930s, with individual family members settling in Switzerland, the United
Kingdom and the United States.
Now to Anne Frank's
Diary
In July 1945, after the Red Cross confirmed the
deaths of Anne and Margot, Miep Gies gave Otto Frank the diary, along with a bundle of loose notes that she had
saved, in the hope that she could have returned them to Anne. Otto Frank later commented that he had not realised
Anne had kept such an accurate and well-written record of their time in hiding. In his memoir he described the
painful process of reading the diary, recognizing the events described and recalling that he had already heard some
of the more amusing episodes read aloud by his daughter.
He also noted that he saw for the first time the more
private side of his daughter, and those sections of the diary she had not discussed with anyone, noting, "For me it
was a revelation... I had no idea of the depth of her thoughts and feelings... She had kept all these feelings to
herself". Moved by her repeated wish to be an author, he began to consider having it published.
Anne's diary began as a private expression of her
thoughts and she wrote several times that she would never allow anyone to read it. She candidly described her life,
her family and companions, and their situation, while beginning to recognise her ambition to write fiction for
publication. In March 1944, she heard a radio broadcast by Gerrit Bolkestein—a member of the Dutch government in
exile—who said that when the war ended, he would create a public record of the Dutch people's oppression under
German occupation.
He mentioned the publication of letters and diaries,
and Anne decided to submit her work when the time came. She began editing her writing, removing sections and
rewriting others, with the view to publication. Her original notebook was supplemented by additional notebooks and
loose-leaf sheets of paper. She created pseudonyms for the members of the household and the helpers. The van Pels
family became Hermann, Petronella, and Peter van Daan, and Fritz Pfeffer became Albert Düssell. In this edited
version, she also addressed each entry to "Kitty," a fictional character in Cissy van Marxveldt's Joop ter Heul
novels that Anne enjoyed reading.
Otto Frank used her original diary, known as "version
A", and her edited version, known as "version B", to produce the first version for publication. He removed certain
passages, most notably those in which Anne is critical of her parents (especially her mother), and sections that
discussed Anne's growing sexuality. Although he restored the true identities of his own family, he retained all of
the other pseudonyms.
Otto Frank gave the diary to the historian Annie
Romein-Verschoor, who tried unsuccessfully to have it published. She then gave it to her husband Jan Romein, who
wrote an article about it, titled "Kinderstem" ("A Child's Voice"), published in the newspaper Het Parool on 3
April 1946. He wrote that the diary "stammered out in a child's voice, embodies all the hideousness of fascism,
more so than all the evidence at Nuremberg put together" His article attracted attention from publishers, and
the diary was published in the Netherlands as Het Achterhuis in 1947, followed by a second run in
1950.
It was first published in Germany and France in 1950,
and after being rejected by several publishers, was first published in the United Kingdom in 1952. The first
American edition was published in 1952 under the title Anne Frank: The Diary of a Young Girl and was positively
reviewed. It was successful in France, Germany and the United States, but in the United Kingdom it failed to
attract an audience and by 1953 was out of print. Its most noteworthy success was in Japan where it received
critical acclaim and sold more than 100,000 copies in its first edition. In Japan, Anne Frank quickly became
identified as an important cultural figure who represented the destruction of youth during the
war.
A play based upon the diary, by Frances Goodrich and
Albert Hackett, premiered in New York City on 5 October 1955, and later won a Pulitzer Prize for Drama. It was
followed by the 1959 movie The Diary of Anne Frank, which was a critical and commercial success. The biographer,
Melissa Müller, later wrote that the dramatization had "contributed greatly to the romanticizing, sentimentalizing
and universalizing of Anne's story." Over the years the popularity of the diary grew, and in many schools,
particularly in the United States, it was included as part of the curriculum, introducing Anne Frank to new
generations of readers.
In 1986, the Netherlands State Institute for War
Documentation published the "Critical Edition" of the diary. It includes comparisons from all known versions, both
edited and unedited. It also includes discussion asserting its authentication, as well as additional historical
information relating to the family and the diary itself.
Cornelis Suijk—a former director of the Anne Frank
Foundation and president of the U.S. Center for Holocaust Education Foundation—announced in 1999 that he was in the
possession of five pages that had been removed by Otto Frank from the diary prior to publication; Suijk claimed
that Otto Frank gave these pages to him shortly before his death in 1980. The missing diary entries contain
critical remarks by Anne Frank about her parents' strained marriage, and discuss Anne's lack of affection for her
mother.
Some controversy ensued when Suijk claimed publishing
rights over the five pages and intended to sell them to raise money for his U.S. Foundation. The Netherlands
Institute for War Documentation, the formal owner of the manuscript, demanded the pages be handed over. In 2000,
the Dutch Ministry of Education, Culture and Science agreed to donate US$300,000 to Suijk's Foundation, and the
pages were returned in 2001. Since then, they have been included in new editions of the diary.
Reception
The diary has been praised for its literary merits.
Commenting on Anne Frank's writing style, the dramatist Meyer Levin commended Frank for "sustaining the tension of
a well-constructed novel", and was so impressed by the quality of her work that he collaborated with Otto Frank on
a dramatisation of the diary shortly after its publication.
Meyer became obsessed with Anne Frank, which he wrote
about in his autobiography The Obsession. The poet John Berryman wrote that it was a unique depiction, not merely
of adolescence but of the "conversion of a child into a person as it is happening in a precise, confident,
economical style stunning in its honesty".
In her introduction to the diary's first American
edition, Eleanor Roosevelt described it as "one of the wisest and most moving commentaries on war and its impact on
human beings that I have ever read." John F. Kennedy discussed Anne Frank in a 1961 speech, and said, "Of all the
multitudes who throughout history have spoken for human dignity in times of great suffering and loss, no voice is
more compelling than that of Anne Frank." In the same year, the Soviet writer Ilya Ehrenburg wrote of her: "one
voice speaks for six million—the voice not of a sage or a poet but of an ordinary little girl."
He likened her struggle against Nazism to his
struggle against apartheid, drawing a parallel between the two philosophies with the comment "because these beliefs
are patently false, and because they were, and will always be, challenged by the likes of Anne Frank, they are
bound to fail." Also in 1994, Václav Havel said that "Anne Frank's legacy is very much alive and it can address us
fully" in relation to the political and social changes occurring at the time in former Eastern Bloc
countries.
Primo Levi suggested that Anne Frank is frequently
identified as a single representative of the millions of people who suffered and died as she did because, "One
single Anne Frank moves us more than the countless others who suffered just as she did but whose faces have
remained in the shadows. Perhaps it is better that way; if we were capable of taking in all the suffering of all
those people, we would not be able to live."
In her closing message in Melissa Müller's biography
of Anne Frank, Miep Gies expressed a similar thought, though she attempted to dispel what she felt was a growing
misconception that "Anne symbolises the six million victims of the Holocaust", writing: "Anne's life and death were
her own individual fate, an individual fate that happened six million times over. Anne cannot, and should not,
stand for the many individuals whom the Nazis robbed of their lives... But her fate helps us grasp the immense loss
the world suffered because of the Holocaust."
Otto Frank spent the remainder of his life as
custodian of his daughter's legacy, saying, "It's a strange role. In the normal family relationship, it is the
child of the famous parent who has the honor and the burden of continuing the task. In my case the role is
reversed." He also recalled his publisher explaining why he thought the diary has been so widely read, with the
comment "he said that the diary encompasses so many areas of life that each reader can find something that moves
him personally".
Simon Wiesenthal later expressed a similar opinion
when he said that Anne Frank's diary had raised more widespread awareness of the Holocaust than had been achieved
during the Nuremberg Trials, because "people identified with this child. This was the impact of the Holocaust, this
was a family like my family, like your family and so you could understand this."
In June 1999, Time magazine published a special
edition titled "Time 100: The Most Important People of the Century". Anne Frank was selected as one of the "Heroes
& Icons", and the writer, Roger Rosenblatt, described her legacy with the comment, "The passions the book
ignites suggest that everyone owns Anne Frank, that she has risen above the Holocaust, Judaism, girlhood and even
goodness and become a totemic figure of the modern world—the moral individual mind beset by the machinery of
destruction, insisting on the right to live and question and hope for the future of human
beings."
He also notes that while her courage and pragmatism
are admired, it is her ability to analyze herself and the quality of her writing that are the key components of her
appeal. He writes, "The reason for her immortality was basically literary. She was an extraordinarily good writer,
for any age, and the quality of her work seemed a direct result of a ruthlessly honest
disposition."
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